Verisimilitude: Four Artists Blur the Lines of Fact and Fiction Through Sculpture

A new exhibition brings together four artists at different career stages to ask how authenticity itself is made, opening at Centre Square 2 this September as part of Middlesbrough Art Week.

Luke Beech, Kneeling Legs, Installation shot at Humber Street Gallery, 2023. Photo by Jules Lister.

Supported by the Henry Moore Foundation, Turner on Tees and Middlesbrough Art Week, curators Penny Payne and Will Hughes present Verisimilitude, an exhibition of works by Luke Beech, Garth Gratrix, Kitty McKay and Liz Wilson.

The exhibition brings together works that explore layered storytelling, personal truths and material deception. Through the use of verisimilitude, the appearance of being real or true, each artist constructs a sense of ‘truthlikeness’ where materials, details and narratives blur fact and fiction. Rather than presenting object realities the works question how authenticity is constructed, perceived and experienced.

Each artist represents a distinct moment on their artistic path, from emerging to visible. This intercareer approach creates a dynamic dialogue across practices, methodologies, and the development of sculptural language. By bringing together artists at different stages of their careers, the exhibition foregrounds the evolving nature of contemporary sculpture in the UK while highlighting the importance of sustained support throughout every stage of artistic growth.Penny Payne says:

“As a curatorial/project management team we aim to platform artists at all points of their career. We are very excited to bring this first instalment of our partnership to Middlesbrough Art Week.”

Will Hughes says:“We are looking forward to Middlesbrough coming alive with exciting contemporary art, and bringing our sculptural exhibition to life. Through the exhibitions and exciting talks program.” Luke Beech is a multi-disciplinary artist whose work draws on the rituals and pressures of masculinity. Sport and outdoor pursuits are bent and recoded, rewriting social norms revealing performances of tenderness and violence. From a queer position both inside and adjacent to masculinity, Beech isolates its gestures and rituals, allowing shifts in posture and balance to expose what they conceal.

Kitty McKay is interested in how public space is made and unmade. Their work seeks through the reuse of civic materials to reposition typically structured authoritarian spaces. Their approach to practice is informed by feminist, queer and crip frameworks for understanding and overcoming the way power constructs place. 

Garth Gratrix moves along the line of formal structure, architectures, systems and materials and ‘frolic’ as a necessary counterpart, embracing queerness, joy, mischief, and care. The works make room for multiple readings simultaneously, and trust the viewer to find their own way in.

Liz Wilson explores the stretch of time between the Industrial and Post Industrial; In particular the beginning of automation and how this is altering our relationship with technology. She is fascinated by the human machine relationship of both ‘Conductor’ and ‘Orchestra’ and how these performative roles manifest themselves within both our natural and fabricated environments.Penny Payne is an independent curator who has worked for Middlesbrough Art Week to deliver the North East Open Call since 2023. Payne has her own artistic practice rooted in the exploration of social record. She primarily explores female narratives, particularly overlooked and unrecorded histories. From her studio in Cullercoats, North Tyneside Payne creates sculptural pieces, site specific installations and performative moments that draw on archival research. Her work Canon produced as part of her Art In Manufacturing Residency had its debut at The Festival of Making, Blackburn and Haworth Art Gallery in July 2026.

Will Hughes is a visual artist and a roving coordinator. A graduate of Bath Spa University and the BxNU Institute, concepts of aspiration, queerness and glamour are central themes within their practice. Which often takes form in sculpture, print and installation. Curatorially they are interested in ways of supporting early and mid career artistic voices and building strong networks.

In 2025 they were named Tees Valley Artist of the year which represented a significant investment in their practice, and also co-founded SAWDUST WORKSHOP CIC, a workshop for artists, a lab for reimagining our streets and a place where ideas get built.Verisimilitude also presents a print exhibition featuring the selected sculptors alongside 6 additional artists. The exhibition is coordinated with Hardcopy, a publisher of artists’ editions and multiples based in Newcastle upon Tyne. See the schedule on the Middlesbrough Art Week Eventbrite for details of the two day symposium to be held at CS2 and an artist mixer event.

Location: Ground Floor, CS2 Centre Square, Middlesbrough, TS1 2BF

Exhibition Opening: Thu 17th September 5pm-7pm
Exhibition Opening Dates: (Open 10am-4pm, Sundays 12pm-4pm)
Fri 18th September - Sun 20th September
Thu 24th September - Sun 27th September
Tue 29th September - Sun 4th October
Sat 10th October & Sun 11th October

Events dates: Artist Mixer Event: Fri 25th September 12:30pm-3pm
Ground Floor, CS2 Centre Square, Middlesbrough
Symposium: Sat 3rd October 10am-4pm, Sun 4th October 10am-4pm
First Floor, CS2 Centre Square, Middlesbrough

Middlesbrough Art Week Eventbrite Tickets

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